Quick Album Review: Atmosphere – The Day Before Halloween

Artist: Atmosphere

Album: The Day Before Halloween

Genre: Hip Hop/Electronic

Label: Rhymesayers Entertainment

Rating: 8/10

At this point in their career Hip Hop duo “Atmosphere” shouldn’t be sounding this refreshed and inspired with new ideas, but here we are over 20 years after the group’s formation and the two have surprised us all by sonically exploring new territories one with an old worn out cassette copy of Headshots Vol. Se7en would never see as a possibility for a new change in sound. I’ve never heard so many synthesizers on an “Atmosphere” record, let alone synthesizers that evoke the spirit of 80s “Horror.” Producer Anthony Davis drawing influence from “Horror” isn’t completely out of character, considering much of his early work featured samples from classic Horror films such as Night of the Living Dead, Suspiria, Henry: Portrait of a Serial Killer, and The Shining, but this deep dive into dark synth-driven Electro is a massive surprise. As for Slug, he isn’t exactly breaking new ground, but he solidifies his status as the ultimate MC who can unsparingly reveal his vulnerability and rap his ass off at the same time. This is the best “Atmosphere” has sounded in years.

Written By: Steven Sandoval

Felt 3: A Tribute to Rosie Perez Turns 10

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On this day in 2009 Underground Hip Hop supergroup “Felt” released their third album Felt 3: A Tribute to Rosie Perez. The group consisted of rappers Murs and Slug, working with a different producer for each album. Felt 3 is arguably the group’s best album, once again switching their style up thanks to Aesop Rock’s unique production. This album signified the end of an era for Underground Hip Hop. The go to scene for Hip Hop heads who wanted to hear substance, flow, and lyricism as opposed to hearing the mindless stuff that was being played on the radio reigned supreme all throughout the 2000’s, and Felt 3 was almost like an unintentional last hurrah, because let’s face it, the majority of artists in the underground scene didn’t really make anything essential in the next decade, but they made their staple in time and influenced a myriad of younger artists taking the D.I.Y. route. What better way to represent the underground than to feature 3 artists representing 3 essential crews in the scene? Slug represented “Rhymesayers” from Minneapolis, Minnesota, Murs represented “Living Legends” from California, and Aesop Rock represented the now defunct “Definitive Jux” label from New York. 3 different styles colliding but working perfectly together with innovative and at times odd as Hell production and an impeccable back and fourth between Murs and Slug as they range from boastful flow and mature themes, to vivid storytelling. I can’t think of a better album to end an era. Happy Anniversary.

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