Category: Post-Punk

E.P. Review: Mazmere – MBJDEBNRBM

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Artist: Mazmere

EP: MBJDEBNRBM

Genre: Indie Rock/Post-Punk/Noise Rock

Label: Self-released

Rating: 8/10

It’s hard speaking about mental illness sometimes. The fear of alienation from others is something that plagues your mind when dealing with a mental illness. That along with overwhelming feelings of self-doubt, self-hatred, nihilism, depression, and existentialism are all things that can prevent someone from letting people in, but one creative outlet to exorcise your demons is music, and Bristol UK based band “Mazmere” most definitely face the cycles of mental illness head-on with no compromise on their new E.P. MBJDEBNRBM. This music is pure raw energy with manically noisy instrumentation that perfectly reflects lead singer Jake Sinetos’ deep dive into the darker parts of the human mind. You know, the parts you try to ignore and distract yourself from with whatever form of escapism you fancy. This music can be ugly, but I mean that in the kindest way possible, because ugly music isn’t always a bad thing, in fact there is much beauty to find in macabre art. The beauty in this E.P. is found in its fearless lyrical content that instead of coming off sounding like a motivational speech, tackles the complexities of your inner-voice that isn’t always so optimistic. That in itself is uplifting, because once you embrace your demons and continue to fight them, you can seriously take on anything, and the representation of that through this music is exhausting yet liberating. This is most prominently expressed on the track “Skeletons.” “This house is full of medicine that gives you no cure. You’re bouncing off the walls again. You’re twisted with fear. Fear of yourself is worse than what is real, so find your demon, and cut him a deal” sings Sinetos. This is the albums biggest tearjerker as our protagonist gives us a tour of this cycle in his mind, a cycle that isn’t for the faint of heart, but is necessary to understand those less mentally fortunate. Once this track erupts with its musical climax, it’s hard not to feel like you’re floating as your demons either begin to decay, or ride with you. It all depends on your interpretation. Without sounding too inaccessible, this E.P. is brutally honest, and that’s something we should all strive to explore in music.

Written By: Steven Sandoval

https://mazmere.bandcamp.com/releases

 

 

 

LCD Soundsystem’s “This Is Happening” Turns 10

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On this day in 2010 “LCD Soundsystem” released their third album This Is Happening. Remember when this was supposed to be their final album? Remember when they released another album seven years later? Yeah, like any of us bought that the band were calling it quits for good, but if This Is Happening had really been the band’s final album, they would have gone out in a blaze of glory, because this was without a doubt some of the band’s best material. James Murphy and Co. delved even deeper into the realm of dance ready “Electronic” music on this album. Of course this was by no means new territory for the band, but it’s almost as if the band had the most fun making this record, and James Murphy not once loses his signature wit on this record. Perfecting a myriad of genres such as “Synth-Pop,” “Post-Punk,” and “House,” this album surprisingly never comes off as scatterbrained and each track flows into the other quite cohesively. This album showed us all that James Murphy is serious about what he’s doing, even though he might not take himself too seriously. Happy Anniversary!

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Devo’s “Freedom of Choice” Turns 40

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On this day in 1980 “Devo” released their third album Freedom of Choice. We’ve all heard “Whip It,” and we all know the flower pot hats, but aside from these staples of 80’s Pop culture, Freedom of Choice was Devo’s tour de force that both encapsulated the spirit of the dominant “New Wave” era, and offered something unique and immensely animated both musically and visually. This album saw the band incorporating even more synthesizers without sacrificing their guitar-driven Rock edge, and the satirical, absurd, and often tongue-in-cheek lyrics that poked fun at the human condition made the band everyone’s favorite aliens studying humanity. Happy Anniversary!

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E.P. Review: Blue Orchid Reaction – Four Chord Theory

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Artist: Blue Orchid Reaction

EP: Four Chord Theory

Genre: Indie Rock/Post-Punk

Label: Self-released

Rating: 7/10

It’s rare when a band can capture the live experience in the studio. Four-piece band “Blue Orchid Reaction” have done it in a way that seems effortlessly on their new E.P. Four Chord Theory, but there is nothing half-assed about their music whatsoever, because the attention to structure and clean production is proof that the band ain’t screwing around. Four Chord Theory is a fitting title, because these songs are instrumentally simplistic, evoking the spirit of minimal “Indie Rock” and even “Post-Punk” that wouldn’t sound out of place on a Senses Working Overtime compilation, but the way these songs flow, the drive, and the passion are all complex. Not one beat or note is wasted as the band deliver a well thought out interplay with an ever-changing structure that never strays into patience testing repetition, and like I mentioned earlier, these are songs that you can just hear live. I mean, I dare you to not clap along to the track “Beta Makeup,” a Punk-driven track that was born to be played live, and considering our situation at the moment, not knowing when we’ll be able to see live bands again, music that gives you the illusion that you’re experiencing live music is just what us concert fiends need. This E.P. does feel like a tease, because the short length leaves you wanting more. It’s almost as if the band are cooking up something even better than the solid material they’ve given us so far, and i’m ready to hear it. Let’s see what you got next guys. No pressure.

Written By: Steven Sandoval

 

 

E.P. Review: Hotel Lux – Barstool Preaching

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Artist: Hotel Lux

EP: Barstool Preaching

Genre: Post-Punk/Indie Rock

Label: Nice Swan Records

Rating: 8/10

Barstool Preaching is an appropriate title for Hotel Lux’s new E.P. It’s hard not to picture yourself at the nearest pub as your vision begins to blur after beer after beer while you bullshit the night away with your pals. These songs are beer-soaked, but they’re more intelligent than belligerent, as the tales of cynicism, self-deprecation, and introspection are told with lyrical sharpness rich in wit, dark humor, and honesty. Lead singer Lewis Duffin’s gruff voice channels the raw spirit of early Post-Punk, and instrumentally these tracks are impeccably produced with the band perfecting the finest sounds Post-Punk and Britpop have to offer. It’s hard not to see yourself in these songs. Don’t we all at some point bend the truth just to get our point across or display ourselves as something we’re not? Duffin cleverly compares this reality to a tabloid newspaper on the opening track, and a similar subject appears on the track “Loneliness of the Stage Performer,” where the song is sung from the perspective of a singer who has created a fictional version of himself to appease the audience, only to come to the realization that he doesn’t know what the people want at the end of the day. It’s heavy subject matter, but it never loses its darkly comedic tone. The “Pub Rock” style is most present on the track “Eddie’s Gaff,” a song about the days of youth, the days of getting plastered, the days we’d waste our lives away, and like a drunken sing-along the band shouts “wasting our lives away!” in unison. I found myself singing along last night while I was getting drunk and wasting my day amid this social distancing. The track “Charades” sounds like a hangover but turns into a self-aware tune while female vocals beautifully back Duffin’s somber tone on the chorus. The closing track “Ballad of You & I” is a sweet tune with a hint of melancholy with an arrangement of trumpets and organs that wouldn’t sound out of place on a “Blur” record. Though a full album of tongue-in-cheek cynicism might get a little stale, this E.P. leaves you eager to hear a full-length album anyway, and the band most definitely has the talent to grow. Here’s to the future, cheers!

Written By: Steven Sandoval

Ganser Announce New Album “Just Look At That Sky,” Share New Song “Lucky”

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Chicago band “Ganser” have announced that their new album Just Look At That Sky will be released on July 31st via “Felte Records.” Today the band have also shared their new single “Lucky,” a song that member Nadia Garofalo describes as “A commentary on personal feelings of inadequacy and how these feelings can often result in unhealthy or extreme behaviors.” “Lucky” also has a music video to accompany it, and the video appropriately depicts these stir crazy times we’re living in at the moment as two roommates in the video drink, drink, and drink some more, because what the Hell else is there to do? This is a video that much of us need to see. Many of us self-sabotage and succumb to self-destructive behavior, and the band depict this in a way that’s more reflective and less D.A.R.E. commercial. You can watch the music video for “Lucky” below:

Album Review: King Krule – Man Alive!

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Artist: King Krule 

Album: Man Alive!

Genre: Art Rock/Post-Punk/Jazz

Label: True Panther Sounds/XL Recordings/Matador 

Rating: 9/10

When going into a King Krule album you can always expect to be emotionally and mentally exhausted when coming out of the album, and I mean that in the kindest way possible. Archy Marshall under the “King Krule” moniker has had quite the evolution in recent years. Going from his early Jazz-oriented sound to his smooth Trip-Hop style of his music under his real name Archy Marshall to 2017’s critically acclaimed The OOZ, one thing has remained certain, Marshall will always wear his heart on his sleeve and be uncompromisingly honest, resonating with countless people whom find solace in his moody introspective reflections and worldview, people including myself, but that doesn’t exempt him from criticism. As a matter of fact, I was quite critical of his last album The OOZ. Though the album featured some of his best work, it was frustratingly bloated and extensive, and would have been a more solid and cohesive effort had he trimmed the fat. The length and unfinished filler tracks that littered that album are what keeps me from listening to the album in it’s entirety whenever I revisit it, but where that album faltered, Marshall took those misfires and improved them immensely on his new album Man Alive! This album is a massive improvement and has a reasonable length. Marshall continues to experiment with the abstract, the genre blends of Post-Punk, Jazz, and Hip Hop, and his lyrics are as introspective and poetic as ever. Following the birth of his son, Marshall is naturally in a different spot in life right now, which explains the more optimistic tone that combats much of the album’s despondence. For those moments where Marshall delves into the pains of solitude, he carries a light of hope. The blend of saxophone-driven Jazz but not your Father’s Jazz and artistic Post-Punk with Marshall’s rough and gruff vocals is what we’ve come to expect at this point, but where much of the tracks that found him going in that direction on The OOZ sounded like unfinished vignettes, that sound is perfectly honed and fully-fleshed out on Man Alive! and like I said earlier, this album is filled with introspection, poetry, and swagger that evokes the same cool spirit of artists like Tom Waits or Nick Cave. Lyrically the album deals with themes of losing connection with people, solitude, the state of our technology-driven world, addiction, and most importantly, the love he feels for his partner and his newborn son. That’s where the optimism lies, and it’s nice to see Marshall acknowledging the light after much acknowledgement of the melancholy. This is by far his best work.

Written By: Steven Sandoval 

 

ADULT. Announce New Album “Perception is/as/of Deception,” Share New Single “Why Always Why”

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Being over 20 years in the music world, Detroit duo “ADULT.” still manage to sound fresh and reinvent themselves with every release. Their last album This Behavior was a back to basics triumph that recalled the Electroclash sound of their early work, but with a veteran sense of focus the band improved on that sound incorporating the darker EBM-laden grooves we’ve come to know the band for. Now, just two years after that release the band have announced they will be releasing their follow-up Perception is/as/of Deception on April 10th via “Dais Records.” The band have also released the album’s debut single “Why Always Why,” a synth-heavy track that is as urgent sounding and anxiety-inducing as it is danceable, because you know with “ADULT.” it’s anxiety always (if you know you know.) You can watch the music video for “Why Always Why” below:

Album Review: Riki – Riki

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Artist: Riki

Album: Riki

Genre: Synth-Pop/Post-Punk/Goth

Label: Dais Records

Rating: 8/10

There’s just something about the genres of “Post-Punk” or “Goth” that makes fans of said genres truly dedicated. Like most underground movements these genres have proven to have longevity, standing the test of time and inspiring countless artists, artists that take these styles and either emulate them or reinvent them. I mean, the fact that we still see “Joy Division” shirts now is further proof. No joke, I am wearing a “Joy Division” shirt at this very moment. So who can we add now to this ever-growing list of inspired artists? Well, meet Niff Nawor, a Los Angeles-based artist formerly of the band “Crimson Scarlet.” After signing to “Dais Records,” and going by the name “Riki,” Nawor has grown an interest in going solo. The result is an impressive self-titled debut that is rich in dark “Synth-Pop,” romanticism, and Gothic aesthetic. The anachronistic nature of these songs may turn those whom can’t get past the obvious 80’s influence off, but for me, these songs don’t feel nostalgic. This album feels more like a continuation of what people were doing in the realm of “Synth-Pop,” “Dark wave,” and even “Italo Disco” in the 80’s. Without sounding like an emulation, this music just sounds natural coming from her. Though traces of artists like Pat Benatar, Billy Idol, Madonna, “Clan of Xymox”, and even “Xmal Deutschland” when she sings beautifully in German can be heard, Nawor has developed her own style which isn’t necessarily groundbreaking, but is undeniably inspired and genuine.

Written By: Steven Sandoval